Coogee House III
Country / Gadigal and Bidjigal
"The smell sun-dried bricks after summer rain" became a poetically charged starting point for this project, which is an exploration of domesticity, nostalgia, childhood and family intimacy. It is a private world, where the modest street address belies the variety of nested forms and surprising volumes in the interior.

Built / 2025
Photography / David Chatfield
Nestling into a fig-lined street, the architecture responds to a suburban site by privileging landscape and generosity over display. The form and palette are driven by a nostalgic interpretation of the Sydney suburban – leafy shadows tracking over red brick walls, gabled roof forms in green canopies, direct and durable construction detailing. . The house is large for a large family, but its expression and spaces are not grandiose.intimate. While the house eschews the heroic in most instances, in one moment of exuberance, 23 corbelled brick arches step out as if opening arms upwards to sun and trees at the north of the site.
It is a private world, where the modest street address belies the variety of nested forms and surprising volumes in the interior.
This project demonstrates a robust, family-centred approach to interior design—durable in material strategy, practical in detailing, and intimate in spatial calibration to support closeness and daily rituals. Bold colour, texture and pattern invite curiosity and sensory engagement, reflecting the client’s formative childhood homes and intentionally encouraging a legacy of non-conformity and imaginative living. Material decisions prioritise longevity and minimal maintenance; surfaces are designed to deepen, mark and age rather than be renewed. By rejecting short cycle finishes in favour of honest construction and expressed junctions, the project reframes ageing as both a sustainable and cultural strategy. The interior privileges generosity, resilience and emotional resonance, positioning domestic space as an active agent in shaping memory, identity and family life.






